8 Interview
I DONT LIKE EXTREMISTS. BUT I FIND
THEM THRILLING AS CHARACTERS
TheUSwriterandhumouristtalksabouttheseriousbusinessofbeingfunny
onthepageandathislivereadings
ByPatrickFreyne
WEEKEND INTERVIEW
DAVID SEDARIS
A
few days after I interview David Sedaris, I receive a
thank-you postcard featuring
an image from 1897 of two skeletons holding a baby skeleton
above the caption The First Tooth.
Its funny and dark. It is, in fact, perfectly David Sedaris. He has been publishing beautifully written, blackly hilarious essays about his life since his
first book, Naked, in 1997. His new
one, The Land and its People, contains 28 essays, some on serious subjects (ageing, all the dead friends in his
address book, his late mother, convalescence), some seemingly slighter
(giving someone a lift, helping a stranger carry a piece of furniture, ChatGPT), all very funny.
I call him in his home in England (he
has another in New York) where I can
hear him potter away as we talk. He is
forthcoming, mischievously shocking
and very happy to talk about the serious business of being funny on the
page and at his live readings. I want
the audience to make a sound, he
says. And I want the sound to be
laughter.
It wasnt always like that, he says. I
wasted a lot of time everybody does
writing like other people. Trying to be
Raymond Carver and trying to be Truman Capote . . . I just felt if you were
writing humour, you would never get
any respect.
Why is humour writing disrespected? I think people conflate it with
stand-up, he says. People will say,
Oh, I really like your stand-up and I
say, Ive never in my life done
stand-up. Everything I read was written down. I chose this word over that
one. I deliberated. I didnt just talk it.
He discovered his métier a little accidentally.
He was writing fiction when renowned US broadcaster Ira Glass saw
him reading from his diary at an event
and began having him on his radio
show. The brief was that he read
non-fiction. I just started writing
about my life, but not in a way that I
think Im important [or] even necessarily interesting. I think its more like
the way Cindy Sherman photographs
herself to talk about the world . . . I feel
like thats what I do.
Underneath the jokes theres often
serious material. In this book he has
an essay about buying his sister an expensive cape after she gets a cancer diagnosis. [That] gets some really outsized laughs, but it gets them because
it follows a harrowing part. The audience thinks that my sister Gretchen
died of cancer. I do everything to
make them think it. When I read it out
loud, I choke up a little bit, and then
when they find out that shes fine, and
then I want the cape back and I say,
Oh, Ill get it back eventually it gets a
laugh because its like a pressure
valve.
Is he a softie at heart whos hiding
his emotions in the humour?
There are certain essays that I
[read], like the essay about my friend
Dawn, about my friendship with her,
and its really hard for me not to cry at
the end of that essay, he says. I just
dont like sentimentality. Im not
afraid of feeling. I just dont want to be
cheap about it.
Theres a book that I really love by
Calvin Trillin . . . [His wife, Alice] was a
character in so many of his more lighthearted books. And then she died and
he wrote a very slim book, About Alice, and he never wrote in the book
that he loved her. He never said the
words. He never says, I miss her every
day. He shows it to you . . . He doesnt
need to poke us to get us to feel something. He trusts us to feel something.
He goes on a riff about American
sentimentality. You could go right
now to Arkansas and you could ask a
straight man about 9/11 and hell say,
Sedaris says, through fake tears, in an
exaggerated Arkansas accent, And I
saw an American flag on fire . . .
He laughs. He also loves bad wedding toasts and a show called Intervention in which families confront addicts. [Americans] cry at the drop of a
hat.
His family were allergic to performative feeling, he says. I dont remember any of us crying when my fa-
THE IRISH TIMES Weekend Saturday, August 1, 2026
ther died. When my mother died, we
did, but I dont remember a lot of cliches being passed around . . . We all had
a similar sensibility and we just really
like to make each other laugh.
Where did his own humour come
from? I think it started off as a defence mechanism, he says. I wasnt
popular in school, [but] I wasnt bullied. There was always someone lower
than me. [Humour] was a way that I
could get attention. There are kings
and queens [at school] and they sit
atop their thrones, and everyone else
is just at their feet . . . And I just tried to
get through my days without being
found out as gay. Im 69, so no one
even really imagined then that anyone
could be anything that awful back
then. You might call somebody gay,
but you didnt imagine they actually
were.
You cant
talk about
good things
that you do
because you
just sound
like an
asshole. So
people just
assume that
all you care
about is, in
my case,
shopping
Is he constantly looking for material?
I never turn it off, he says. I wrote
that essay about being bitten by a dog
in the book. Then six months later, I
got bitten by another dog, and I was
like, F**k. I already wrote about it.
That time it really hurt because there
was nothing I could do. I started feeding crows. I was just in the park this
morning feeding them raw turkey
breast and a guy came up and said, Be
careful. He said, I was feeding crows,
and they attacked me. And then I
thought, Oh, I dont want to be attacked by crows. And then I
thought . . . He literally sings this bit:
I can write about it!
What makes someone a good character for his books? I think good
characters are sure of themselves, he
says. My father was sure of himself.
In my opinion, he was always wrong,
but he was just brimming with confidence, and so he would tell you what to
do with your life, or he would shout at
somebody . . .
I dont like extremists in politics, I
cant stand the far right and I cant
stand the far left either. But I like them
as characters. I like how tenaciously
they cling to their beliefs and how
theyre motivated by this mistaken
faith in themselves. I find that thrilling.
What does he leave out of his sto-
ries? There are certain things you
cant talk about. You cant talk about
good things that you do because you
just sound like an asshole. So people
just assume that all you care about is,
in my case, shopping. He laughs.
Which is pretty true.
He also plays up extremes, he says.
I pit myself against people. When I
write about Hugh [Hamrick, his
husband], Hugh is like the voice of reason. Hugh is the person who makes
the right decisions and who takes care
of things. And Im the buffoon. Thats
not that terribly far off the mark. I
dont know how to buy a plane ticket. I
dont open any mail that doesnt look
like fan mail. They can write urgent
outside of it all they want, and Im not
going to open it. So its one person in
the relationship being kind of self-obsessed and bumbling, and the other
person being steady and capable . . . Hugh has some qualities that I
dont mention because they contradict his image.
Do his subjects ever get annoyed
with what hes written?
The New York Times has this column called At Home With. They come
into your home and take pictures.
Hugh said absolutely not and I said, I
have a book coming out and I cannot
say to my publicist, Forget it. I dont
want publicity in The New York
Times. In the interview, when you
look at it in the paper, it can sound like
youre just boasting, because they ask,
How much did your apartment cost?
How much did that Picasso painting
cost? [they own two Picassos]. He, anyway, he will never forgive me for that,
and hes made that very clear. He
laughs.
But then on most other things,
Hugh trusts me. Hugh needs me in his
life to make fun of him because he can
be really serious and I can get him to
see himself and to laugh at himself
and he knows he needs it. So I fulfil a
purpose that way.
What about the rest of his family?
My brother and I, we had an argument over something, maybe in 2016,
following an election. Huh. I wonder
what we argued about? And then he
said he didnt want me writing about
him any more . . . I respected his deci-
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8 Interview I DONT LIKE EXTREMISTS. BUT I FIND THEM THRILLING AS CHARACTERS TheUSwriterandhumouristtalksabouttheseriousbusinessofbeingfunny onthepageandathislivereadings ByPatrickFreyne WEEKEND INTERVIEW DAVID SEDARIS A few days after I interview David Sedaris, I receive a thank-you postcard fe
Interview 9 I just tried to get through my days [at school] without being found out as gay. Im 69, so no one even really imagined then that anyone could be anything that awful back then DavidSedaris: Idontknowhow tobuyaplane ticket.Idontopen anymailthat doesntlooklike fanmail. Photograph: Leonardo
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